In a high and energetic tempo, Daniel Norback is telling about a performance that is soon to take place, but never really starts. We are moving between performance and non-performance and different layers of fiction and reality. A paradoxically meta-performance.
On the stage is a little and primitive model of the stage, where the planned violent events will take place, such as explosions and flag burning. The audience is slowly transformed to be a testaudience, a part of the process. The performance is about form and content, in relation to political issues in contemporary stage art.